In Belgium, Lucio Fulci’s New York Ripper was released as “De Doder van New York” as evidenced by the cover of the VHS tape below
The atmospheric opening scene in Lucio Fulci’s nihilistic giallo masterpiece “The New York Ripper” (1982) starts with pan shots of the Manhattan skyline, the East
“I do not think about  development and progress in music, art or anything else. They seem to be phantoms, somewhat  like those visions beloved of
“To look through a Becher book is to take a lesson in vernacular aesthetics ; it is to learn to read differences in composition, rhythm